Embracing honesty, on and off the mat

Yoga. You’ve probably heard me mention it before. You’ll definitely hear me mention it again if you stick around for future blog posts.

Everyone has their own ideas regarding what yoga is all about. I’m not going to sit here and say I know everything about it. In fact, quite honestly, I still have very little actual knowledge of yoga: its history and its many physical and philosophical tenets. But that lack of knowledge hasn’t stopped me from reaping some serious benefits from practicing yoga.

Obviously, there are physical benefits to being stronger and more flexible. But what about being stronger and more flexible mentally and socially? What about being more balanced in life? Yoga isn’t about being able to stand on one foot. As I’ve heard at least one teacher say, it’s not about whether or not you fall out of a balance pose; it’s how you handle the fall. Do you curse yourself for not being better? Or do you gracefully accept that some days things just don’t go as you may want them to and smile?

There are many lessons learned on the yoga mat that carry over to real life. For me, practicing the postures and attitudes of yoga—especially when surrounded by other people who are striving to be more giving, happier human beings—leads to an improved sense of well-being, a better life. And I’m pretty confident that when my life is better, that carries over into the lives of those around me. Improvement starts within and ripples outward.

One of the aspects of yoga that I’ve found truly critical is the ability to observe and be completely honest with and about myself. So when I heard one of the Kenyan women in this video from the Africa Yoga Project say she is “achieving big things” in her life now because she’s being open and truthful with herself, it hit home with me. For anything to change, we must start with the truth.

Watch the video. Catch a glimpse of the kind of self-empowering change a new attitude, a new approach to life, can have, even for those living in circumstances we can’t even imagine.

P.S. If you’re interested in supporting the Africa Yoga Project, let me know. I’ll be participating in an event on February 18 to raise funds to continue its life-changing work. And if you ever want to join me for a yoga class, let me know that too!

Finally inspired to write … by a shoe?

I am a writer and an editor. It’s what I do for a living, and I’m good at what I do, according to my clients. But I have never been a creative writer. Quite honestly, I’ve never desired to be a creative writer.  Writing the next great American novel? It never entered my mind. Long days at the computer? Yeah, I do that now. No guarantee of getting paid for them? Um, no. Not my kind of gig.

So I didn’t take poetry or short-story writing in college; instead, I focused on what I thought were practical pursuits (as far as writing was concerned, anyway). I enjoyed analyzing other people’s creative writing and writing about that, but I was never inspired to create something original of my own. I can count on one hand, one finger actually, the number of times I’ve been truly inspired to write: as in completely overtaken by the creative impulse, without my mind trying to take over, as it almost always does.

It finally happened this fall. The inspiration? A high-heeled shoe. Well, more accurately, a painting of one. Hollie Chantiles’ Carnivore: Foot Fetish No. 3 was on display at YorkArts as part of the Biological Aesthetics: Investigating the Art in Science exhibit that ran September through November 2011. I stood there and studied the floral shoe on its wine-colored wood backdrop, intrigued for several minutes, and then I went on about my gallivanting around town.

I had no intention of writing anything that night, certainly not a poem, and yet, around midnight, it began. The concept happened on the paper in front of me, and I ran with it. When my brain took a look the next day, only a couple of words needed to be changed. I didn’t write this poem: this poem happened. I was merely the transcriber. I’m just glad I was open to the moment with a pen handy.

Jimmy Choo vs. Downward Dog

Piercing stilettos wobble on unsteady ground.
Calf muscles threaten to shorten permanently,
arches aching, lumbar crunching.
Toes are squeezed into submission.

Life shifts on us, throwing us off balance.
Fear contracts us into inertia,
self-confidence faltering, willpower failing.
We are enslaved by invisible walls of the past.

Bare feet solidly connect to the floor, heels (almost) down.
Calves and hamstrings stretch with every breath,
hips rising, spine elongating.
Toes luxuriate in unlimited space.

Circumstances change, but the soul is constant.
Love expands us into courage,
heart opening, spirit soaring.
We are freed by each moment’s infinite possibility.

Finding yourself in a song

Do you have certain songs that you reach for when you’re looking for support? And no, I’m not talking about slow grooves by Barry White or Marvin Gaye when you want help getting your significant other “in the mood.” (Not that I have anything against that, mind you.)

Rather, I’m talking about songs that you find helpful when you need emotional, psychological, or spiritual support—songs that lift you up, songs that make you feel like you again.

Perhaps it’s a tried-and-true hymn, something you’ve heard your entire life. Or a silly pop song that was all the rage when you were in middle school and makes you smile every time you hear it…  or start singing it in the shower. (Come on, you know you do.) Or maybe it’s “Zip-a-Dee-Doo-Dah,” from Disney’s classic movie Song of the South. That’s one of my sister’s favorites.

In an earlier post, I talked about the jazz song “Start All Over Again.” Well, another song I find myself reaching for at times is Peter Cetera’s “One Clear Voice.” When I’m feeling off-balance or lost, this song’s words bring me back to knowing who I am and feeling more secure in my ability to navigate life’s sometimes tricky waters.

Of course, I’m not 100% positive what the lyricist had in mind when he wrote these words, but for me, this song is about finding one’s own inner voice. (Or maybe it would be more accurate to say uncovering that voice, as it is always there, in the same place.) Our inner voice, or our intuition, always knows the right answer, the right path to take. We need only stop all the commotion long enough so that we can hear it.

Of course, that’s not always easy. Often the hardest commotion to quiet is the chattering in our minds. That’s my experience, at least, and I’ve heard the same from many friends. You can find a quiet room somewhere, at least for a few minutes. The challenge becomes how to quiet your mind. Maybe it’s spending some time on your yoga mat, taking some conscious breaths, or just giving the right song your full attention.  Whatever works for you, find it—and use it, often. In the stillness, you will find yourself, your truth. And while the truth isn’t always easy, it will lead you down the right path and to peace of mind.

What song do you reach for when you need to find yourself?

One Clear Voice
The whole world is talking
Drowning out my voice
How can I hear myself
With all this noise
But all this confusion
Just disappears
When I find a quiet place
Where I can hear
Chorus:
One clear voice
Calling out for me to listen
One clear voice
Whispers words of wisdom
I close my eyes
‘Till I find what I’ve been missing
If I’m very still, I will hear
One clear voice
I’m always searching
For which path to take
Sometimes I’m so afraid
To make mistakes
From somewhere inside me
Stronger than my fears
Just like the sound of music
To my ears, I hear  (Chorus)

Feeling legendary

First, my apologies to those of you who have been waiting for my write-up of the concert that David Crosby and Graham Nash gave at the Strand Theatre in York, Pa., on May 8. What can I say? Life happens; other things take priority; yadda, yadda, yadda. Anyway, enough with the excuses and on with the show!

Throughout the show, I had the distinct feeling that I was witnessing, or perhaps being part of, American history. There was something legendary about these two. I’ve been to a lot of concerts, but this feeling was a first. So what was different about this show?

Was it their social commentary? They commented on corporate dishonesty, perceived unfairness in tax structures, religious war. They talked about issues with nuclear power plants and waste disposal. Quite honestly, I usually find social commentary quite annoying in the middle of a concert. The first person that comes to mind is Bono, who can be heavy-handed and long-winded when he talks about societal issues. Unlike Bono, however, these two restricted their commentary to fairly short matter-of-fact prologues or epilogues and let the songs (such as “Don’t Dig Here,” “In Your Name,” and “They Want It All”) do the majority of their speaking. It struck me that these two men probably had been committed to the same or similar causes for decades. It really didn’t matter whether or not I shared their convictions; they obviously cared about them intensely and consistently, and that’s worthy of anyone’s admiration.

Was it their rapport with each other and the audience? They were definitely funny. Near the beginning of the show, Nash announced they would be playing a lot of music that night. After all, their basketball team, the Lakers, had just lost a game and was out of the NBA championship, so what else did they have to do? They also sincerely expressed their preference for small venues, such as the Strand, where Crosby said they can strive for their best work, compared to the “blimp hangers” they play “with the other two guys,” where, as Crosby said, they have to work “in broad strokes.” They laughingly provided echoes of themselves singing and talking in the big arenas.

When introducing “Cowboy Movie,” Crosby said, “This next song: I have to confess, they made me do this: they ganged up on me, even my family.” Nash commented, “We would love to see you f**k up.” Nash explained that Crosby had not performed this particular song on tour in 40 years. Crosby then played and sang the long narrative with all the intensity and inflections needed to effectively “tell the tale,” as Nash complimented him afterwards. The desire to see each other screw up seemed to be mutual. Later in the show, Crosby giggled with pleasure at a mistake Nash apparently made. (I missed it.) “He almost never makes a mistake. This is a deeply frustrating thing for me. I make frequent mistakes: huge ones, publicly huge ones. So when he makes even the teeniest little mistake, I get great joy,” Crosby explained, sounding very much like the Wicked Witch of the East.

These two men obviously care about one another. Perhaps the length of their relationship was a big part of it for me. It was joyful to watch two men who had known each other for more than four decades, who obviously are very different but still share so much beauty and fun. The fact that Crosby’s son, James Raymond, was playing keyboard with them added another layer of love. When Crosby revealed his relationship to Raymond, his comment brought tears to my eyes: “He’s my son … and three or four times as good a musician as I am.” The love was palpable: the theater was full of it.

Or was it simply the artistic talent represented on the stage? To be truthful, I didn’t know a lot of the songs. I’ve never closely followed the music of CSN/Y. I knew (and loved) several of their more popular ballads, but that was the limit of my exposure, I thought. I enjoyed those songs, of course: “Our House” was the one song that brought tears to my eyes. And then there were some familiar songs, like “Marrakesh Express,” that I knew but had not previously associated with the group.

I learned that I was more familiar with Nash’s songs. Perhaps about a third of the way into the show, Crosby said, “By way of explanation, it’s Nash’s job to write anthems that everybody in the whole world wants to sing: ‘Teach Your Children,’ ‘Our House.’ That’s his job. It’s my job to write weird shit. To each is suited his purpose.” This comment preceded a brand new song by Crosby: “Slice of Time.” Weird shit? Perhaps. But wow, that was some beautiful, creative weird shit, full of layers and phrasing perfectly suited to the musing nature of the lyrics.

There were quite a few songs I was hearing for the first time. Being a music lover, I’m not bothered by seeing a show where the songs are unfamiliar; in fact, sometimes I prefer it. In this case, I think the unfamiliarity added to the magic. I was continually amazed by the quality: of the diverse creativity, honesty, and sincerity in the songwriting; of the musicianship displayed by Nash and Crosby. I guess having decades to hone their talents helps, but really, that level of talent still blows my mind.

The other musicians were no slouches either. Nash explained that he and Crosby stole bassist Kevin McCormick (coincidentally born and raised in York, Pa.) from Jackson Browne’s band. On the other hand, the drummer Steve DiStanislao (“Stevie D”) had been stolen from them by David Gilmore for a while but returned. And then there was the guitarist (or “multi-instrumentalist” as Nash called him) Dean Parks, as featured on many Steely Dan songs.

I think my favorite “new” song of the night was “Camera” (1994). I loved both the song and its introduction. Crosby revealed that Nash is a “superb photographer” who has contributed greatly to the advances in the printing of digital photography. (Nash’s printer is on display in the Smithsonian.) Crosby said his own father was a camera man and made movies but preferred taking still photos. Nash pointed out that one of the movies Crosby’s father shot was High Noon, one of the American classics.

With that kind of legacy in the room, no wonder I felt part of America’s cultural history.

The beauty of just being you

A while back, a dear friend posted something on Facebook about appreciating the people in her life who are not afraid to just be themselves, flaws and all… for one reason, because it allows her to feel better about her own flaws.

“I appreciate the fact that as I get older I have come in contact with people who are willing to be honest about who they are, flaws and all.  Makes me like them all the more. [It] also gives me courage not to judge myself so harshly. Courage… because it is sometimes easier to just assume I should be a better person than I am.”

The very next day, I found myself thinking about my friend’s post again as I was listening to World Cafe Live on the public radio station. Brandi Carlile and the Indigo Girls were the featured artists. I found myself tearing up a little—because of the raw honesty when they spoke and when they sang. Carlile described her first songwriting experience with one of the Indigo Girls: how nervous she was to be working with someone she admired so much. She, after all, is just another person dealing with self-doubt and self-criticism. Hearing her laugh and poke a little fun at herself was refreshing. (Wow, other people—accomplished, talented people—really do have the same insecure thoughts I do!) And then the two women sang the song they had written together. Beautiful.

It occurred to me that this is what I cherish most in people and what I miss (often without realizing it) when it’s absent. When people aren’t trying to sell something or convince someone of something, when they are just themselves, there is something so utterly beautiful about that. You don’t have to like what they’re doing or saying or creating or singing, but if you can tell that it is truly from the heart or the soul, whatever you want to call it, it is magical. It is pure. And that is beautiful.

So, how about we make that our goal for the day? Just to be 100% ourselves and accept that as a beautiful thing. My guess is that other people will see the beauty too.

I find that it is often easier to accept myself just as I am when I am out in nature.

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Surviving the heat and humidity

When I walk outside my house in July and August, when both temperatures and humidity are soaring, I tend to wilt a bit. Like me, most of the flowers around my house are geared more toward spring and early June. However, there are a few hearty individuals who are thriving in the summer heat. Here are some snapshots from the last few days.

 

 

 

 

 

 


Yes, this is thistle, a weed. But before I ripped up a whole mess of it that had taken over one of my flower beds, I had to admit the blossoms were kind of attractive in a funny sort of way.

 

Super talented, beautiful soul

I am thrilled. I just discovered that Alicia Keys’ June 30 concert at the Beacon Theatre in New York City, which was broadcast online live by AOL, is now available—at least bits of it are—for those who missed it entirely or in part. I fall in the latter category, as I very happily witnessed most of the performance on my computer after missing the first several songs. You’ll have to sit through a few ads to watch the recording, but trust me, if you appreciate music from the soul, it’s worth it.

This is Alicia and her piano: that’s it. No backup singers, no instrumentalists, no dancers. Just wonderful piano playing and a powerful, perfectly nuanced voice, presented naturally and with a beautiful spirit.

Alicia Keys Live at the Beacon Theatre

Turns out the first few numbers were covers of songs that inspired Alicia. In my opinion, after the lovely piano solo introduction, her passion really shows up with the last of the beginning covers—Brian McKnight’s “Never Felt This Way.” (If you’re looking at the site, that’s one click on the right arrow and then the second frame in that group.)

Just keep watching from there. There’s no reason to skip anything. It’s all good, to be understated about it. (Some of the songs are cut short, giving you only excerpts, but it’s better than nothing.)  Here’s how the rest of the playlist flows:

  • Butterflyz
  • Trouble Man – OK, this one’s a cover too, but it’s definitely worth your time: it’s Marvin Gaye, after all, and she commits to it.
  • Troubles – Gorgeous. This is where I started watching the live broadcast and was immediately hooked.
  • How Come You Don’t Call Me Anymore – She included her version of this Prince song on her debut album, Songs in A Minor—released 10 years ago, the reason for this celebration—and she rocks this performance.
  • Goodbye – Beautiful, heartbreaking.
  • A Woman’s Worth – And the audience participates: “Baby, you know I’m worth it.” Damn straight.
  • Girlfriend
  • Why Do I Feel So Sad
  • Caged Bird –Short, but oh so powerful.
  • Piano Sonata No. 14 in C# Minor
  • Fallin’ – The song that started our love affair with Alicia, right from its very first amazing notes.
  • You Don’t Know My Name
  • Diary
  • Karma
  • If I Ain’t Got You Full version of this one… Yes!
  • Unbreakable
  • Like You’ll Never See Me Again – A shortened version, but enough to produce some chills.
  • Try Sleeping With a Broken Heart – Heartbreaking rendition … More chills.
  • Un-thinkable (I’m Ready) – The leap of faith she’s describing really comes out in this live performance. Feel the love.
  • New York State of Mind – Yes, Billy Joel’s song.
  • Empire State of Mind, Part II – “Broken down,” as they say…. and it’s the best part of the song, in my opinion.
  • Sure Looks Good to Me – Inspiring. Life isn’t always pretty, but “don’t rain on my parade; life’s too short to waste one day.” So keep on truckin’ and keep those spirits up.
  • No One

I feel badly for those of you who missed the live broadcast, not only because you didn’t get the whole uninterrupted concert, but also because you didn’t get to witness most of Alicia’s interactions with the crowd. The beauty that pours out of this 30-year-old woman is incredibly inspiring, even before she puts fingers to the keys or mouth to the microphone. I think you’ll get a feel for what I mean when you look at the faces of the audience members as they sing along on the last song. You may want to hang around for a few more minutes and watch the interview. Again, feel the love.

I, for one, am putting Alicia Keys on my “must see live” list. I hope you enjoyed this even half as much as I did.

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Enough

Enough. It’s a funny word, especially the more you say it or write it. After working on this post for a while, I’m tempted to just spell it the way it sounds: enuff. But that’s the English language for you—definitely not WYSIWIG. Anyway, funky spelling aside, let’s ponder this word enough.

Perhaps your first thought is of how you use it with your kids—accompanied by an exclamation point and a slightly higher pitched, stress-full voice. What do you mean when you say it? You’re fed up, right? Because little Sally and somewhat less little Joey have been chasing each other around the house, screaming at the top of their lungs. Thirty seconds of it, and you smiled, quietly amused. One minute of it, and you sighed, shaking your head. Two full minutes of it, and you felt your muscles tighten, your chest constrict, and you let loose with one forceful word: Enough!

Their antics have disturbed your concentration as you were trying to work, or perhaps they interrupted what was “supposed to be” your quiet time. (We can talk further about supposed to be another time—definitely a topic worth pursuing.) So you may associate the word enough with feelings of frustration. Totally understandable. However, I’d like to discuss enough from another perspective.

What happens when you’re working on something? Let’s say you’re weeding your flower beds or painting the house or creating a presentation for your boss. You work diligently for a time, and then at some point, you think or say, “That’s good enough.” What do you do then? You stop. You’re done. You’re satisfied to accept it as is and move on.

There’s a sense of peace with enough—when you commit to it, when there are no perfectionist after-murmurings of “but I really should touch up around the windows again” or “just one more revision.” When you believe it’s enough, you’re calm. You feel free and easy—about whatever you apply it to. So what would happen if you applied the concept of enough to yourself, to whatever is important to you? What would happen if you said these things—and meant them?

I’m good enough.
I’m pretty enough.
I’m thin enough.
I’m rich enough.
I’m strong enough.
I’m secure enough.
I’m smart enough.
I’m happy enough.

No longer are you struggling to make something different than it is right now—because everything is sufficient as is for this particular moment. If you can stop the struggle in your mind regarding what is true right now (and you can), then you can approach your relationships, your job, everything in your life from a place of peace and clarity.

For example, if you believe it would be healthy for you to lose a few pounds, then you can go about making changes that will help you do that. But no longer are you beating yourself up for not already being thinner at this moment. Because at this moment, you are thin enough to survive and take the next step.

You have the ability to make changes in your life, every minute of every day. At the same time, every minute of every day, you are enough.

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Whatever you look for, you’ll find

Yoga has been, and continues to be, my teacher in many ways. One of the core tenets I’ve taken from yoga is the idea that everything, everyone, is connected. This idea that we’re all one community—and you can translate that to your family, your neighbors, the people driving next to you on the highway, the people across the globe—is a powerful concept, one that can have a significant impact on how you perceive and interact with those around you.

So how do you act within your community? When you look at the people around you, are you looking for differences, or are you looking for similarities? If you look for differences, you’ll find them. (Thus the separation begins and perhaps the criticism and resentments.) If you’re looking for similarities, you’ll find those too—perhaps many more than you would have imagined. After all, each one of us is a human being, and we struggle with similar challenges, both external and internal. Seeing the similarities, or at least realizing that they’re there, helps us connect to one another and understand one another better.

Last night, I went to a concert because of a song that communicates that very idea. A few years ago, I saw Ronnie Dunn sing the beautiful story “Believe” on television, and I was struck by the raw honesty and emotion that he is able to communicate with his flawless voice. A little earlier this year, I saw him perform the new song “Bleed Red” on the Country Music Awards, his first appearance as a solo artist after leaving the hugely successful duo Brooks & Dunn. Again, I found his singing brought tears to my eyes. And so when I saw that he was going to be at Pier Six in Baltimore, I jumped on the chance to see him live. Although he did not sing the song that prompted me to go, he certainly did not disappoint: his performance was impeccable. He definitely fits my concert-going requirement of “sounds even better live than on the recording.”

Even if you don’t usually like country music, I ask that you listen to the words of this song, as I think it offers all of us a good reminder to look for the similarities, rather than always focusing on the differences.

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Just live

Today marks the 23rd anniversary of my brother Eric’s death. With that in mind, I am sharing the following piece, which I wrote in August 2003 for graduate school. (Since then, I have made only minor adjustments.) If death scares you, there’s no need to shy away from reading on. This piece is not about my brother’s death; instead, it is celebrating his life. I hope you get something out of it.

My brother’s life wasn’t fair. He was unable to enjoy many of the experiences that most of us take for granted. But instead of complaining about what he couldn’t do, he treasured what he had.

I started thinking about this recently after a conversation with a close friend. We were talking about my older brother Eric, who died in 1988 at the age of 21. As I said the words, “He always seemed happy,” it struck me: What in the world did he have to be happy about?

Eric had looked like a healthy, broad-shouldered man at 6 feet tall and 190 pounds, with a thick mass of dark curly hair, deep brown eyes, and a generous smile. Nothing looked wrong. But something was—dreadfully wrong. Eric had epilepsy.

Most of the time, Eric’s body functioned perfectly, except for little spells that occurred, sometimes once every few days, sometimes once every few minutes. During these “absence” seizures, Eric would go blank and lose awareness of his surroundings for a few seconds. Usually, nothing drastic happened. He might tip his breakfast spoon and get milk and Cheerios on the kitchen table—nothing a dishcloth couldn’t handle. Our family quickly learned how to stop a conversation in mid-sentence, to pick it up again when he was “back.”

And so the everyday routine continued—until a real seizure hit. A “grand mal” seizure. Actors try to recreate these on television: stiffened body parts jerking uncontrollably, mouth foaming; inevitably, someone tries to stick a spoon in the person’s mouth. The portrayals are pretty accurate, as far as they go. Sometimes my brother also lost control of his bladder. And he usually slept for seven or eight hours afterward, exhausted.

The seizures always hit without warning. To try to control them, the doctors started Eric on medication when he was just nine months old. Back then, it was one tablet, which my mother had to hide in his food to keep him from spitting it out. By the time I was old enough to be aware of the situation, Eric was taking as many as 12 pills a day. That number is according to my mother: all I remember is him popping a handful of multicolored capsules. But Eric was one of those epileptics whose seizures weren’t controlled by the drugs. Usually a grand mal seizure hit every one to two weeks; sometimes, two in one week.

As Eric’s younger sister by six years, I was usually at home with him. On edge, I listened for the crash of a fall… waiting for a seizure to hit, so I could try to jump to the rescue. Any situation was potentially dangerous, but especially those where he was operating machinery or holding something sharp, like a kitchen knife. Even when he sang in the high school chorus, I was all nerves. There he was, standing on the top riser. All he had to do was have a spell and lose his balance. But he just kept singing.

The medications had side effects. One drug made his gums swell around his teeth, so that he had to have his gums trimmed. The drugs also made him drowsy, so even though he was intelligent, he struggled with school. He did, however, manage to graduate, and he celebrated along with the rest of his class.

After graduation, Eric got a job at the local auction house, where he brought the items out for display and carried them to the highest bidders. That job didn’t last long though, after a couple of seizures and broken items. So Eric went to the Carroll County Association for Retarded Citizens (now The Arc of Carroll County), where he did menial assembly-line work, like counting 10 washers to a bag. As a 12-year-old, I found this insulting. My brother wasn’t retarded, and yet he was spending his days with people in wheelchairs who couldn’t feed themselves, people who couldn’t even talk right. It wasn’t fair! But Eric loved it. He made new friends, and he made a little money.

The association eventually found a job for Eric. And what a job it was! He worked in the kitchen at Western Maryland College (now McDaniel), washing dishes for two years. I despised riding along with my mother to pick him up after work: he reeked of the kitchen’s greasy smoke and garbage. But he didn’t complain about the smell or about the skin peeling from his hands because of the hot water and sanitizers. He was making his own money, out of the house for several hours at a time.

What did Eric have to be happy about? He didn’t own much or have a career, but he had a high school ring and a job. He couldn’t get his driver’s license, but he loved riding the lawn mower around our yard. He never had a real girlfriend, but he had a family and a church congregation who loved him.

Although epilepsy finally caused my brother’s death, it never claimed his life. While I was so angry about how unfair it was, my brother just lived. And he seemed to enjoy every minute of it.

As an update, I’d like to add that several years after I wrote this, my family found a short letter my brother had written to God, asking God to take away his epilepsy, should that be acceptable in God’s big plan. So my brother did indeed struggle with the circumstances he was given. But I don’t remember seeing that frustration very often at all. He seemed to understand that life wasn’t always fair, and he made the most of his life. And I think that’s a lesson we can all put into action.

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